Who we are
AAFx2 Productions is the creative vision of Dr. Adan A. Fuentes and Adan A. Fuentes III—a dynamic father-and-son duo dedicated to crafting high-quality film projects that inspire, captivate, and resonate.
Dr. Adan A. Fuentes, a trained actor and director-turned-surgeon, returned to his creative roots in response to the COVID-19 pandemic. He brings a wealth of experience and a deep understanding of storytelling to the team, which has led to his work in screenwriting.
Adan A. Fuentes III, a gifted filmmaker, enhances this partnership with his technical expertise, creative vision, and unwavering commitment to crafting compelling stories.
Together, they form a team that blends creativity, experience, and a shared love for film.
Our debut project, "Drowning Above Water," marks the beginning of an exciting journey in filmmaking. This project was co-written with Phil Holt and Adan A. Fuentes III.
Maury, a dark comedy feature screenplay written by Dr. Adan A. Fuentes, marks its second venture into the film festival circuit.
Swipe Right, Dad!, a romantic-comedy feature screenplay written by Dr. Adan A. Fuentes, marks its third venture into the film festival circuit.
Within These Walls, a horror feature screenplay written by Dr. Adan A. Fuentes, has been entered into 4 film festivals.
We have more projects in development and will share updates as they approach completion.
***UPDATE***
MAURY is an Official Selection of the 2026 Burbank International Film Festival, a semi-finalist in the Flickers’ International Film Festival, and earned Honorable Mention at the 2026 Big Apple Film Festival and Screenplay Competition.
Swipe Right, Dad! is a 2026 semi-finalist in the Flickers’ International Film Festival and a quarterfinalist in the Santa Barbara Screenplay Awards Diverse Writers Outreach.
Drowning Above Water is an Official Selection for the Golden Door International Film Festival 2026.
***NEW PROJECTS***
The Station, TV Sitcom.
PROJECTS
Short Film
Dr. Colton Noftz as Dr. Patrick Allan
"What's the point of all of this?" Danny Dix Jr. Scott looks on in the background.
Blinded by the light.
Code in Room 4913
OR scene with Scott, Joey, Adan, and Danny.
Rushing the patient to the Operating Room.
Julie Maxwell, COVID-19 ICU Nurse Practitioner
Danielle Haskell, COVID-19 OR Nurse
Dr. Colton Noftz
Fran Allen, OR COVID-19 Nurse
Fran is deep in prayer during the Code Blue scene in room 4913.
Room 4913 Denise Sprague - COVID-19 RN looks on.
These temporary walls were visible throughout the hospital during the COVID-19 Pandemic.
Dr. Noftz and Dr. Fuentes scrub for tracheostomy cases.
The constant COVID-19 media noise plays in the background.
Scott Shiverdecker-COVID-19 OR Nurse
Danny Dix Jr.-COVID-19 Scrub Tech
Dr. Adan Fuentes- COVID-19 Airway Surgeon
Joey Negrelli and Marcus Raffat
Saved another one.
A blood-splattered shield during a tracheostomy surgery.
Joey Negrelli- COVID-19 Certified Nurse Anesthetist
The reality of the storm sets in.
The weight of the world.
Dr. Fuentes
The OR team.
Colton takes direction from Director Adan III.
Makeup Call
DAW Shot #1 OR Scene
Colton in his COVID-19 (PAPR) powered air purifying respirator.
Shoe Covers!
B&W Locker Room Scene
End of shoot with great friends!
Adan's Rig
The viral epicenter.
Scott is deep in prayer.
Joey Negrelli, CRNA
Danny Dix Jr., Scrub Tech
Director Adan III
Adan III silhouette.
Last day of filming...whew.
Adan III
Joey Negrelli B&W
Julie is setting up for the Code.
Julie is ready to start chest compressions during the CODE scene in room 4913.
Room 4913 scene set up.
Denise, Colton, and Marcus are waiting for their call in the wings.
Capturing a close-up of Colton with Fran Allen, RN, in the background.
Dark Depth OR Scene
Final Shot! That's a wrap.
Attaching the lavalier mic.
Our super for the film. He did all the camera work, lighting, sound, and final editing. He truly deserves the credit for this film.
The goal was to craft a minimalist soundscape that evoked a sense of isolation and emptiness.
A fantastic group of people.
Blinded B&W
Based on the feature-length film.
Emotional Fog
Screenwriting Project
Genre: Dark Comedy
Runtime: Feature Length
Brief Synopsis
97 year-old Maury Reynolds wants to die. Enter Jake. What begins as a job to tame Maury's yard becomes an unlikely friendship, forcing Maury to confront his regrets, grief, and the life he’s been avoiding. With biting humor and heartfelt moments, Maury is a story of connection, redemption, and the hope that it’s never too late to change.
Screenwriting Project
Genre: Romantic Comedy
Runtime: Feature Length
Ethan Davis can design a building meant to stand for a century. He cannot get through a single quiet night in the house he built for a family that no longer lives there.
Middle-aged and freshly divorced, Ethan drifts through rooms calibrated for a life that has already moved on. He treats his grief the way he treats a load-bearing wall — something to measure, brace, and keep at a safe distance.
Then the world stops letting him hide. A son who won't watch his father vanish. Neighbors who won't take silence for an answer. And dating, that baffling new structure with no blueprint, where every encounter becomes a small, absurd referendum on whether Ethan is still a man worth choosing.
Tender, funny, and quietly merciless, the film follows a careful man as he discovers the one truth his profession never taught him: a life, unlike a building, was never meant to be perfect.
Brief Synopsis
What would you do to save your son? Mark Thompson is holding his family together through a bitter divorce when he notices something wrong. The house breathes at night. Footsteps pace the upstairs hall and stop outside his boy's door. His nine-year-old, Jon, draws a tall, pale man who visits after dark — and swears he walks the halls when the lights go out.
Digging into the past of their Colonial home, Mark uncovers a pattern older than his own arrival: six families, each gone within eight months.
Whatever lives in the walls doesn't chase. It waits. It settles into the one who loves the most — and it is growing closer to his son. To save Jon, Mark must learn the one thing the house can't teach: let go.